ALBERTUS DISPLAY TYPEFACE HOW TO
ALBERTUS DISPLAY TYPEFACE SERIES

ALBERTUS DISPLAY TYPEFACE SERIES

It was digitised by Toshi Omagari as part of a Berthold Wolpe Collection series that included Pegasus and three other Wolpe typefaces. Monotype released an updated digital version of Albertus, named Albertus Nova, in 2017. Resident Evil: Welcome to Raccoon City uses the font in the film, a tribute to John Carpenter. Uncharted uses the Albertus medium variant in of all the releases. Major League Soccer team Charlotte Football Club uses the font in their brand, including their crest and logotype.Īustralian drum and bass band Pendulum used the Albertus Medium variant on the artwork for ' Propane Nightmares', ' Granite', ' Showdown', and ' The Other Side'. uses the font in the club's brand, ranging from their crest, media, memorabilia and fashion products. It is also known for its use by director John Carpenter in the opening credits of several of his films, including Escape from New York, The Thing, Big Trouble in Little China, Prince of Darkness, and They Live.īritish band Coldplay used the Albertus Medium variant on the album covers and subsequent single releases associated with their first three albums, Parachutes, A Rush of Blood to the Head, and X&Y.

ALBERTUS DISPLAY TYPEFACE HOW TO

It is also used for the title card on the American television series How to Get Away with Murder and was the typeface for Electronic Arts from 1999-2006. The key adaptations were the removal of the dots from 'i's and 'j's and an uncial-style 'e'. Outside of publications an adapted version of Albertus is particularly known for its use in surreal British Television series The Prisoner (1967–68), where it was used for all signage in the show's unusual prison setting ( an Italianate village), as well as for the series' logo. It has also been used in many other publications. Wolpe frequently used it in book jackets he designed for the London publisher Faber and Faber. Use A metal-type specimen for Albertus, showing three alternative characters: a variant 'M', 'W' and ampersand.Īlbertus is used for the street name signs in the City of London, City of London Corporation and London Borough of Lambeth (where Wolpe resided until his death in 1989). It was less popular and had faded in popularity by the end of the metal type period, although Matthew Carter digitised it and added a bold and italic in 1980 as part of a commemorative exhibition project on Wolpe's work. Wolpe later designed Pegasus, a spiky serif design intended to complement Albertus with more body text-oriented proportions. In the metal type period, Albertus was offered with alternative characters, including a non-descending 'J' that stops at the baseline, an 'M' that reaches the baseline, and a different ampersand, similar to that used on Dwiggins' Metro. The uppercase 'U' has a stem on the right side.In the uppercase 'M' the middle strokes descend only partway, not reaching the baseline, in the default version.Albertus has remained popular since its release and since the end of mass use of metal type phototypesetting and digital versions have been released. Other characters and a lower case were added by 1940. Titling caps were released first, and the Monotype Recorder of summer 1935 presented the capitals as an advance showing. It is available in light and italic varieties. Eventually a lowercase roman was added, and later a strongly cursive, narrow italic. Wolpe studied as a metal engraver, and Albertus was modelled to resemble letters carved into bronze. Wolpe named the font after Albertus Magnus, the thirteenth-century German philosopher and theologian.

Albertus is a glyphic serif display typeface designed by Berthold Wolpe in the period 1932 to 1940 for the British branch of the printing company Monotype.

Albertus display typeface